David Muhammad, Chief Probation Officer, Alameda County Probation Department Marc Levin, Executive Director, Right on Crime University of California at Berkeley, Boalt Hall Barry Krisberg, Research and Policy Director of the Earl Warren Institute on Law and Social Policy, Miriam Krinsky, Lecturer, University of California at Los Angeles, School of Public Affairs Panelists will also discuss cost/benefit analyses of reform initiatives, and how to use these fiscal arguments to develop bipartisan alliances for change. This workshop will examine innovations and new approaches developed elsewhere, with a particular focus on fiscal drivers of reform. Just as California is struggling with realignment and prison downsizing, other states have developed their own new approaches to juvenile incarceration as well as prevention strategies. States across the nation faced with challenging fiscal times are rethinking prior approaches to juvenile justice and long-term incarceration of youth. Antoinette Taillac, Attorney, Fresno County Office of the Public Defender Noelle Nightingale, Executive Director, Victim Offender Reconciliation Program and Community Justice Conferencing Craig Downing, Probation Services Manager, Fresno County Probation Department Rudy Carrillo, Chief Deputy District Attorney, Juvenile Justice Court Unit, Fresno County Office of the District Attorney Gottlieb, Juvenile Presiding Judge, Superior Court of Fresno County This interactive workshop will provide information about program effectiveness, victim and offender satisfaction, and offer means by which the program might be replicated. CJC brings juvenile offenders together with their victims in a safe environment to address the violation, restore equity, and clarify future intentions. Lorie Nachlis, Attorney, Nachlis & Finkįresno has successfully implemented Community Justice Conferencing (CJC), a unique predisposition restorative justice program in collaboration with the Public Defender, District Attorney, Probation and the courts. Jerilyn Borack, Judge, Superior Court of Sacramento County Faculty perspectives will include the views of attorneys representing children and parents, and a judge with both family law andjuvenile dependency experience. The panel will cover changes to the Family Code and the new statewide rule of court, effective January 1, 2012. Content will include a discussion about why children of various ages often want to testify or participate in court proceedings, and how court-connected professionals and judicial officers can meet new legal requirements while effectively managing witnesses of various ages and appropriately analyzing and weighing children’s testimony or input. This workshop will primarily focus on children’s participation in family law matters and build on the experience of faculty with juvenile dependency cases where children more routinely participate. Child custody and parenting time cases often involve a host of issues requiring complex decision-making by the court as well as the involvement of attorneys, mediators, and mental health professionals.
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Sum += (Convert.ToInt32(trackingNumberArray.GetValue(i)) - 48) If (i % 2 = 0) // adding all odd positions TrackingNumberArray = ( char)(Convert.ToInt32(trackingNumberArray.GetValue(i)) - 35) TrackingNumberArray = ( char)(Convert.ToInt32(trackingNumberArray.GetValue(i)) - 25) TrackingNumberArray = ( char)(Convert.ToInt32(trackingNumberArray.GetValue(i)) - 15) Įlse if (Regex.IsMatch(trackingNumberArray.ToString(), " ")) If (Regex.IsMatch(trackingNumberArray.ToString(), " ")) If ( char.IsDigit(trackingNumberArray) = false) Private static bool _ValidateUPSCheckDigit( string trackingNumber)įor ( int i = 2 i < trackingNumber.Length - 1 i++) If ((Convert.ToInt32(trackingNumberArray.GetValue( 0)) - 48) = check) Sum += (Convert.ToInt32(trackingNumberArray.GetValue(i)) - 48) * multiplier TrackingNumberArray = trackingNumber.ToCharArray() Īrray.Reverse(trackingNumberArray, 0, trackingNumber.Length) įor ( int i = 1 i < trackingNumber.Length i++) // skip check digit Private static bool _ValidateFedE圎xpressCheckDigit( string trackingNumber)Ĭhar trackingNumberArray = new char Return _ValidateFedExGroundCheckDigit(trackingNumber) Return _ValidateUPSCheckDigit(trackingNumber) Įlse if (courierName = CourierName.FedExGround) Return _ValidateFedE圎xpressCheckDigit(trackingNumber) Įlse if (courierName = CourierName.UPS) // UPS method If (courierName = CourierName.FedE圎xpress) // fedex express method TrackingNumber = Regex.Replace(trackingNumber, ", " ").ToUpper() Public static bool IsValid( string trackingNumber, CourierName courierName) Return IsValid(trackingNumber, GetCourier(trackingNumber)) Public static bool IsValid( string trackingNumber) Public static CourierName GetCourier( string trackingNumber) If( Int32.TryParse(ch.ToString(), out testodd) = true) Int asciivalue = 32(ch) Įlse // Indicates character in odd position If( Int32.TryParse(ch.ToString(), out testeven) = true) If((charindex % 2) = 0) // Indicates character in even position // UPS Check Digit Calculation Method // private int CalculateCheckDigit( String trk)
But you do need to think about it if you are going to print that image later. So you don’t really care about DPI when you create an image on your screen – you just create an image that looks the right size while you’re painting it. If I create a painting in ArtRage that is 800 x 600, it might be a reasonable size on my screen but if I print it on a printer that applies 300 dots per inch, it will only be 2.6 inches wide by 2 inches tall. So, when someone refers to the DPI value of your image, they are referring to how many of its pixels will be placed across an inch of space when printed.Īn average computer screen might be 72 DPI, while a high quality print might be 300 or even 600 dpi, so you can see that many more pixels can be required per inch of space when printing an image. ‘DPI’ stands for ‘dots per inch’ and refers to the number of dots (which are the same as ‘pixels’ here) a printer will place in each inch of space. You may see it when you look at the technical specifications of the printer you are using, or a print shop may refer to it when you ask them to print an image. The trick to creating your painting at the correct size on the screen for the size you want it to be when printed is to use the Print Size option in the ArtRage New File panel, and to understand DPI.ĭPI is an important concept when you want to print. This is because the number of dots (‘pixels’ on the screen) per inch of space is often different between screens and printed documents. The size of a painting on your computer screen is not necessarily the same as its size when printed. If you are unsure or need help, please contact us! We’ll be happy to help track down your purchase and help you to download your software again.ĪrtRage will then calculate how many pixels are required to make the canvas the right size. You can find how to create a Member Area account here and how to register ArtRage here. If you no longer have the email from the online store, or their download link has expired, you can also download ArtRage from our Member Area once you’ve created a Member Area account and registered your ArtRage serial number. The online store also sends you an email with your serial number and download links for ArtRage. Click the download link for your operating system to download the ArtRage installer. ArtRage 6 or earlierĪfter you complete your purchase of ArtRage from our online store, you should see download links displayed for Windows and OS X. Android and iOSĪfter purchasing the mobile version of ArtRage from the Google Play store or iOS App Store, you can download the app right away from that store. ArtRage Vitae doesn’t require a serial number or registration key. After purchasing ArtRage Vitae from the Microsoft store or macOs App Store, you can download the app right away from that store. Now how do all these play out in practice?Ĭonsidering you only have a t-shirt under the Kappa, assuming little wind and casual use (no output), you'll most likely to wear it comfortably in temperatures over 7 deg F (-14 deg C). Though reverse engineering shows me that they aren't all that different from one another, as I explained in this post. Speaking of the performance of the insulator itself, Coreloft Continuous, it's almost impossible to determine its stance along other synthetic insulators like PrimaLoft and ThermaTek. So I'll limit the context here to the insulation.Ĭonsidering the fact that insulation density of other jackets in the market and in Arc'teryx line up mostly hover around below 100 g/m², 140 g/m² of insulation puts Kappa quite a bit ahead in warmth department. Insulation isn't the only factor that determines warmth (face fabric, fit, length etc also play a role though weaker) - though it's the most important one.You can see a list of Arc'teryx's all insulated jackets, their insulators and the insulation amounts in this guide I've put together. Coreloft, and specifically Coreloft Continuous, is Arc'teryx's most common synthetic insulator. Kappa is equipped with 140 g/m² of Coreloft Continuous. In summary if you're looking for a warm, comfortable, casual jacket you can use many years during cold and damp city days, then Kappa can be a great option for you (don't expect any breathability or packability, though). 90 Top Rated Arc'teryx Beta LT Jacket - Women's 450.00 (107) Compare Top Rated Arc'teryx Squamish Hoodie - Women's 160.00 (74) Compare New arrival Arc'teryx Beta AR Jacket - Women's 600.00 (29) Compare Top Rated Arc'teryx Solano Hoodie - Women's 230.00 (11) Compare Arc'teryx Rush Insulated Jacket - Women's 479.83 Save 40 800. Being designed specifically for stationary use in damp areas, which is a pretty standard and common type of use, it's a shame that Arc'teryx never offered this absolute unit in women's counterpart. AC², Advanced Composite Construction, combines aesthetic simplicity and sublime design with watertight construction, minimal weight and maximum durability.Along with Dually Belay, Fission SV and Nuclei SV Kappa ( Men's) is one of the warmest and most weather resistant synthetic insulated jackets Arc'teryx has ever manufactured. Shop Arcteryx Fission Sv Jacket Womens Womens Spire 4 Womens Printed ThermoBall Eco Parka Womens Bi-Ply Bottom Womens Throw Shade Straw Ht Womens. The development of their incredible AC² packs and luggage further establishes Arc’teryx as a world innovator. PrimaLoft Silver and Gold Insulation gives maximum warmth and an additional Octa Loft breathable insulation lining next to skin manages moisture and makes. It combines the proven performance of Fortius 1.0 with a waterproof and breathable GORE-TEX insert for full weather protection. Their flagship shell jackets epitomise their ethos, using only highly developed performance fabrics that are tested in the mountains, not a laboratory, by athletes and research teams to acquire real world results. The Fission SV Glove is the warmest offering from Arc'teryx. I looked at other brands however before buying the Fission for only one reason: hoping for a jacket in a brighter colour. Verified Buyer All Around Winter Jacket Arcteryx is my go to brand for active wear. It is their mission to produce and deliver the best possible, in all aspects. Arc'teryx Fission SV Jacket - Women's Altitude Sports 19 Reviews Reviews (19) Sort: Select Martha H. From design to manufacturing all products undergo extensive testing and research, strict quality control and inspections. Their pursuit of excellence has made Arc’teryx responsible for virtually all of the design and manufacturing innovations for the past 25 years.Īrc’teryx standards are exceptionally high. Each Alpha SV jacket takes 4 hours and 38 minutes to assemble, making the £500 price a bargain at only £1.79 per minute. They then apply all their technological mastery to make it the best it can be, irrespective of material cost and manufacturing limitations in fact they have developed tools and techniques not used by other brands in their pursuit of excellence. Their achievement as the outdoor world’s leading brand is obtained by merging unrivalled designs with the best quality, highest performing materials and making products in the most innovative and durable way possible for their intended use.Īrc’teryx are not constrained by mediocrity, each product is born from a clear understanding of its intended use. They refuse to compromise on any element of their product. Arc’teryx has one mission, to build the finest products available.īorn in North Vancouver, British Columbia, Canada in 1989 they are named after the Achaeopteryx Lithographica, the first reptile to develop feathers for flight and free itself from the constraints of the flat earth. Revo Rocket lives up to its name it has the highest gear ratio at 10.1:1. Fastest Abu Garcia Baitcaster: Revo Rocket But it reduces with time and constant practice. Meaning: you might experience a bit of backlash. In addition to the high-speed application deficiency, Revo X doesn’t come with a dual braking system. Why virtually? Revo X doesn’t do well with high-speed applications. In essence, you can use this baitcaster for virtually any casting technique. And thanks to its 8 stainless ball bearings, you’ll retrieve your game smoothly. In particular, you can enjoy between 22” to 33” per each turning of the reel’s handle. Like the gear ratios, Revo X also has a flexible retrieve rate. It covers everything from 5.4:1 to 7.3:1. Talking about features: this baitcaster is the best for slow and medium gear ratios. The aluminum component also adds to Black Max’s resistance to warping under pressure. It is more durable than Black Max, thanks to its aluminum makeup. Revo X is twice the price of Black Max but still affordable for its features. Best Abu Garcia Baitcaster For Slow And Medium Gear Ratios: Revo X In other words, you can’t pull off flipping or pitching. As such, you need both your hands to attach and detach your spools. But with practice, you’ll get the hang of it.Īlso, Black Max uses a regular clutch system. Unfortunately, MagTrax is not exactly backlash-proof. However, you should know that Black Max uses MagTrax magnetic brakes. Summarily, you will enjoy the beauty and the beast, literally. On the other hand, the brass component of Black Max makes it a durable baitcaster. Weighing below 10 ounces, Black Max is the perfect reel for travels. Thanks to the graphite component, this baitcaster is light. Overall, you will have a perfect and beautiful graphite-brass combo. The mains are designed with graphite, and the gear parts are brass finishes. But beyond the ease of use, this reel is incredibly cheap – it costs below $50.ĭespite the affordability, Black Max is attractive. It is the most beginner-friendly of the lot. Check them out below! The Top 5 Abu Garcia Baitcasting Reel Best Abu Garcia Baitcaster For Beginners: Black MaxĪfter testing several Abu Garcia baitcasters (low-profile and round models), we give it up for Black Max. Good news: we reduced the 30+ Abu Garcia baitcasters to just 5 – the best of the lot. Instead of finding the best Abu Garcia baitcaster, how about we find the right one for your angling trips and budget? And they all differ in features and performance. Unfortunately, there is no straight answer because the Abu Garcia lineup contains over 30 baitcasters. You want to know if you should stick to Abu Garcia Revo SX, or maybe try Revo X, or even Black Max, Which one of the baitcasters is the best? And because of your passion, you want the best baitcaster? Undoubtedly, all the baitcasting reels from Abu Garcia are topnotch and miles better than “the rest.” So, we understand if you’re an ardent follower of the brand. is providing the Electronic Service Guide services for the Phoenix Model Market Initiative, built on the company’s robust delivery platform and expanded to include rich media content. Dolby is providing encoding and decoding technology to add key audio features with Dolby AC-4 and is working closely with video delivery expert Harmonic on the implementation of this ATSC 3.0 next generation audio format in their broadcast and OTT workflows.Channel Master, which is based in the Phoenix metropolitan area, will supply a variety of reception antenna products and lend its professional signal evaluation expertise to the Phoenix Model Market project, including development of future products designed to enhance digital TV reception.Additionally, Samsung’s support of ATSC 3.0 applications and online services will facilitate the testing of advanced features for next-generation TVs in the U.S. Their success in Korea will help Phoenix focus on evaluation of features such as HDR and immersive audio for the ultimate entertainment experience.
To summarize, this case is relatively short (in height) and wide. The 120mm and 140mm top fan mounts are offset away from the motherboard tray by 5.25cm and 7.25cm respectively in an attempt to keep them from interfering with the motherboard that’s because the top edge of the motherboard is only about 2.5cm below the mounts. Note that this only applies to CLCs: open loop cooling is a different beast, and a 360mm radiator could be made to work. The largest CLC the case can truly support is a single 280mm unit at the top. There’s absolutely not enough room to mount a 360mm CLC and fans properly with tube-side-down at the front of the case, or even a 280mm, since the front I/O occupies a few key millimeters of space needed for the radiator. Since fans and radiators only fit on the inside of the case, that limits combined radiator/fan thickness at the level of the PSU shroud to 6cm at the absolute most, but we recommend against installing radiators down there at all. 120mm fans should be unaffected by this issue if they’re lined-up with the front panel cutouts: this is another case where the front panel has been designed around 120mm fans.įans can only be mounted on the inside of the chassis behind the front filter, which is another area (in addition to airflow) where “front-panel-is-the-filter” cases like the Cooler Master TD500 Mesh and Phanteks P400A have an advantage. Either way, the point stands: the brackets are delicate. Of the three cases we received, only one of them had this issue. When installing 140mm fans in this case, rotate the blades with a finger before turning the PC on to make sure the mounting bracket hasn’t warped inwards in a way that will clip the fan blades. The mounting points for front fans are extremely flexible and delicate, which is a tradeoff for the fact that they use little material and don’t overly obstruct airflow. There was one minor fit-and-finish flaw in our review sample, but it nearly broke one of the fans we use for testing. *Specs table copied directly from product page, please read review for our own measurements and opinions THE BUILD With all that effort, it’s somewhat surprising that the stock fans are just two plain black 120mm case fans-they don’t clash with the color scheme, but they are certainly a cost-cutting measure, especially compared to the RGB stock fans on the 4000X. A triangular motif is also present throughout the entire case, most impressively in the top filter, which has tiny triangular holes rather than the standard hexagonal ones. We have mixed feelings about the yellow accents scattered throughout the case, but they are at least consistent: yellow plastic washers under various thumbscrews, a yellow pull-tab on the top filter, and yellow USB type-A port on the front panel. Black is still the default, cheap-to-produce color for cases and case hardware, and Corsair has obviously worked hard to make this design possible at $80. Even some hidden elements like the plastic snaps that hold in the panels are color-matched: they’re gray on the white case and black on the black model. Corsair also color-matched the top surface of the magnets for the top filter so that they’re less visible, and the magnets are intentionally arranged so that they don’t line-up with radiator screws that might push it upwards. The glass is tinted for the black version and untinted for the white, with white masking around the border. Almost every part of the case is painted white or gray, including the borders of the glass panel, the rear PCIe slot covers, and all the externally-visible rivets on the rear panel. The white color scheme is well done, and the case’s appearance in general deserves discussion as Corsair has clearly devoted extra attention to it. The 4000D samples we were sent are both white, but they come in black as well. So, before uploading your videos on TikTok, please check your privacy settings first. Sometimes your privacy settings can be a reason why you can not get views. If you also use YouTube and want to get more views on it, these tips are also helpful. Now, we will provide 5 efficient tips for you to help you fix 0 views on TikTok. So far, we have discussed the probably reasons which can affect your TikTok account and your videos' performance. 5 Efficient Tips to fix 0 views on TikTok Or TikTok has a glitch that unable to count views on your videos. Such as you have uploaded many videos with no particular focus on a niche. Knowing that the possible reasons, you need to also know least likely reasons why you get 0 views on TikTok. Your videos are under review for some other reasons.Your TikTok go wrong as one of your accounts connected to the same phone number.Your content is low quality, dull ideas, incomplete or not interesting, so that nobody wants to watch your videos.This means you are involved in copyright infringement. Your TikTok content is not original or copies from others, but upload as yours.Your TikTok content is inappropriate or politically sensitive.Your TikTok account is new and has not been trusted by TikTok's algorithms.However, once we solve thess problems, I believe your videos can get plenty of engagement later. Or you did't follow the TikTok algorithm. Sometimes because your former videos didn't get a lot of views. Here are a few reasons can explain that why you get 0 views on TikTok. Reading this extraordinary book, it becomes clear that so much of what we knew or thought we knew about photography is at one and the same time accurate and obsolete. Drawing on the networked human condition of embodiment, social-media, and bio-politics, On the Verge of Photography offers an invaluable resource for sutdents of visual culture, researchers in the field of digital imagining and artists working with new media. Addressing the centrality of the digital image to our contemporary life, the fourteen new essays in this collection challenge the traditional categories of photographic theory - that of representation, evidence, documentation and the archive - and offer a fresh approach to its impact on aesthetics, contemporary philosophy and the political. In this, photography shows to be tightly connected to political ideologies, exemplifying how visual technologies may set forth progressive or regressive potentials of our ways of seeing and representing the world.įrom the back cover: On the Verge of Photography: Imaging Beyond Representation is a provocative and bold rethinking of photography in light of the digital transformation and its impact on fine art, culture and society. In this, the need to think the relation between technologies of representation and pictorial traditions, in connection to epistemology and theories of knowledge becomes of prime importance as this articulation shows, ultimately, how photography, exemplified in the cities documented by Fierlants and Azevedo, plays an important role in the ways we perceive the world that surround us. In this perspective, the revolution caused by photography brings attention to the role played by the apparatus in the context of the nineteenth century as, attached to the ruling ideology, progressively turns photography into the main representative of an epistemology grounded on the belief in verisimilitude, realism and truth embedded in visual representation. From a re-evaluation of the emergence of modernity to the inquire on the invention of photography, and from there to the analysis of the works of Fierlants and Azevedo, the research draws a historical perspective focused on the importance of vision and the growing centrality of photography. By addressing a relation dear to visual culture, anthropology, history, urban studies and philosophy anew, the study’s embedded interdisciplinary character aims at expanding, also, the materialist tradition which legacy is attested, still today, in the areas in question. Inquiring into the origins of photography as a simultaneous product and producer of modernity, the study aims at offering a decentred perspective gathered from two cities which, during the moment in question, could be considered peripheral to the great capitalist metropolises. Building on a critical exploration of the opus of two mid-nineteenth century photographers – Edmond Fierlants from Antwerp, and Militão Augusto de Azevedo from São Paulo – the study aims to provide a theoretical and methodological dialogue between the field of visual culture and philosophy, especially through a Benjaminian materialist perspective. The current research focuses on the nexus between photography, modernity, and the city. The chapter concludes with the topic of death caused by the actions of paparazzo, as is portrayed in works by Leif Davidsen, Allan Russell, and Robert M. I describe how the photographer is portrayed in literature as the one who gets under the control of his or her apparatus and acts as a functionary of the machine that feeds on human images. I argue that the fictitious photographer plays the role of a trickster-psychopomp, as the click of the camera’s aperture often accompanies a dying person to the outer world. Such words as “trigger,” “aim,” and “shoot” are used by Ernest William Hornung, Victor Sawdon Pritchett, Margaret Atwood, and Anthony Horowitz to emphasize the danger of being photographed. Special attention is given in this chapter to the linguistic analogy between a camera and a gun. The photographer is often portrayed in literary fiction as the one who witnesses, records, or even causes death. The article presents various ways in which the character of the photographer has been linked to death in literature. ft of coverage area all the way up to 145 sq. The standard mats come in both 120V and 240V, starting at 10 sq. The mats are safety approved for wet locations, have a single-point connection with two-conductor cable, and with the heating cable pre-applied onto the fiberglass mesh you can be assured that you get even heat every time it is turned on. Our unique dual fastening adhesive system saves 70% on installation time. No rusting in environments like commercial restrooms and entrywaysĮlectric floor heating mats are a proven technology that is safe, reliable, and energy-efficient.Low build height allows for minimal floor height build up.No air movement which helps prevent accumulation of dust particles.Provides even heat distribution for the greatest thermal comfort.Hidden from view and does not take up valuable space.Features & Benefits of Floor Heating Systems It is always best to work with a professional to design the right system as the installation will end up costing less and the system will then be guaranteed to operate as advertised. 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The cable’s highly-flexible and durable qualities contribute further to its ease of installation.Īfter this, the DCM-PRO Mat will be covered with self-levelling compound, allowing it to heat and protect any floor covering material that is certified for use with underfloor heating. You don’t need any tools to install the system – this makes applying the cable in equal parallel lines to the castellations of the mat effortless. Just make sure that the subfloor is always clear from dust and clutter before attaching the membrane to the floor. This is specifically popular in steam rooms where floors and benches can feel particularly cold! In North America, the NEC limits applications to horizontal surfaces (shower pan and bench).ĭCM-PRO has an effective self-adhesive backing that does not require additional adhesive to firmly attach it to the subfloor, saving both time and cost. 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